Even the shared common spaces, which residents can reserve for parties or meetings, feel like intimate living rooms and kitchens as opposed to a lobby or grand hall. ![]() Pemberton notes that designing units that felt appropriately scaled was important, but it was also a geometric imperative: The floor plates and structure of the existing building made the creation of large, cavernous spaces almost impossible. The effect almost erases any notion of previous industrial use (in part of the complex) and happily blends historic details with contemporary finishes. Instead, the rooms are clustered in arrangements that fluctuate between communal and private and are dimensioned by numerous tall, narrow windows, characteristic of neo-Gothic architecture. They range from one- to four- bedrooms and are configured almost entirely without hallways or vast expanses of open-plan living. (Dave Burk)ĭespite the sprawling size of the overall project (the total square footage clocks in at 950,000 square feet), the units themselves are carefully arranged to establish a residential scale. Interior details were also preserved to retain the character and significance of the historic architecture, ranging in scale from the entire tower lobby to intricate ironwork on the elevator doors. It’s all the same.’” The bulk of the work took place in the interior as to update infrastructure like mechanical and electrical systems and to accommodate new programming like first-floor public retail, a private parking garage, a swimming pool, a fitness center, a lounge terrace, a herb garden, and a mini putting green. SCB President Chris Pemberton described the goal of this approach as, “You walk by this when it’s done and think, ‘Well nothing really happened. This move effectively translated the demolished square footage vertically and opened up the massing to provide shared green space, increased natural light for the individual units, and private balconies.Īs the public encounters the building, the exterior remains virtually unchanged. The primary design move at the scale of the site was to carve out a central section of the TV building to create an interior courtyard, accessible only to residents, and to add four stories of residential space to the northeast side of the building. SCB’s economical decision to keep the complex almost entirely intact won them the bid for the project. ![]() The entire complex helps shape the bustling public plaza of Pioneer Court, and SCB concluded that the essence of the Tribune Tower’s significance included all the buildings, not just the iconic tower. Working closely with preservation architects Vinci Hamp Architects, SCB went beyond simply maintaining the tower, and made minimal interventions in the adjacent printing plant, radio building, and TV building the latter two were built in 19, respectively. This goal was derived from both respect for the historic significance of the site and from a civic mandate: The tower is a Chicago-designated landmark. The architects aimed to preserve as much of the existing infrastructure as possible. The project, which includes 162 units and 55,000 square feet of amenity space, was completed by Solomon Cordwell Buenz ( SCB). ![]() Now the tower has been converted into luxury condominiums which range in price from $700,000 to over $7 million. The newspaper sold the building for $240 million to CIM Group in 2016 and moved out in 2018. A slew of office-to-residential adaptive reuse projects have swept through downtown Chicago, turning historic buildings like the Century Tower and the entire stretch of the LaSalle Financial Corridor into luxury apartments the Tribune Tower is the latest entry in this trend. One hundred and one years since the first sketches of the Tribune Tower, the winds of fortune have shifted.
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